Art & stupid stuff

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
semperreformanda
patron-saint-of-smart-asses

A good, healthy, holy family is such a powerful and beautiful thing. To have a mother and father who love one another so much because of God and to pour that love onto their children, and to see that love flower into the generations, is something that points to something beyond ourselves and it is such a wonderful thing.

Please don’t ever apologize for dreaming for a family or hoping for a good marriage. Please don’t ever think that focusing on your kids is something less than. Please don’t think you are foolish for wanting to protect this natural good. Love your family and uplift them and never stop doing it.

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artandwritingreferences

Guide: Naming a Town or City

writing-questions-answered

There are many things to keep in mind when naming the town or city in your novel:

1) Genre/Theme/Tone

It’s very important to consider the genre and theme of your story when choosing a town name. Take these names for example, each of which indicates the genre or theme of the story:

King’s Landing (sounds fantastical)
Cloud City (sounds futuristic)
Silent Hill (sounds scary)
Sweet Valley (sounds happy and upbeat)
Bikini Bottom (sounds funny)
Radiator Springs (sounds car-related)
Halloween Town (sounds Halloween-related)
Storybrooke (sounds fairytale-related)

2) Time/Place

It’s also important to consider the time and place where your story takes place. For example, you wouldn’t use “Vista Gulch” as a name for a town in Victorian England. You probably wouldn’t use it for a town in modern day North Carolina, either. Vista is a Spanish word and would normally be found in places where Spanish names are common, like Spain, Central and South America, the southwest United States (including southern California), Cuba, Puerto Rico, Dominican Republic, and Florida.

3) Size/Settlement Type

An isolated town of 300 people probably won’t be Valley City, but a sprawling metropolis of 30 million could be called Windyville, because it could have started out as a small town and grew into a large city.

4) Geography

Words like gulch, butte,and bayou tend to be regional terms. You probably wouldn’t find Berle’s Bayou in Idaho, or Windy Butte in Rhode Island.

Words like mount, cape, and valley are dependent upon terrain. Most of the time, you won’t have a town named “mount” something unless there are hills or mountains nearby. You wouldn’t use “cape” unless the town was on a cape, which requires a large body of water.

5) History

Is there a historical person or event that your town might be named after? The Simpsons’ hometown of Springfield is ironically named after its founder, Jebediah Springfield. Chattanooga, Tennessee is named after the Cherokee town that was there first. Nargothrond, in The Lord of the Rings, is an Elvish town with an Elvish name.

6) Combination of Words

  • person name + geographical term = Smithfield, Smith Creek
  • group name + geographical term = Pioneer Valley, Settlers’ Ridge
  • descriptive word + geographical term = Mystic Falls, Smoky Hill
  • person name + settlement type = Smithton, Claraville
  • landmark + settlement type = Bridgton, Beaconville


Word Lists:

Types of Settlements

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Geographical Features

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Place Words

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Common Suffixes

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Other Descriptors

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Try a combination of two words from any of these lists. :)

writingquestionsanswered

Yaaay! I was looking for this forever! No need to update this one. :)


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artandwritingreferences
bear--hearted

This is a beautiful graphic but it doesn’t explain the pros and cons of each fire type.

The Swedish torch is good for an efficient and contained fire, it’s controlled and good for cooking over and produces less light and heat than other fires. It can be difficult to keep going once you burn through the original log

The teepee is your traditional campfire. Good for heat and light not great for cooking, burns through fuel fairly quickly

The star fire is one of the slowest burning and not well protected but provides an even heat good for slow cooking and is excellent if you have limited fuel and need the protection a fire can provide

The lean to is a compact and efficient fire that evolves into a dense and hot bed of coals. The structure creates a good source of air flow which can help damp wood burn. A slightly better cooking fire that isn’t as bright. It also provides protection from wind on one side

The platform fire is incredibly hot and will create a very thick bed of coals but it doesn’t have a lot of air flow and is a little harder to get started.

The log cabin is big and bright and has lots of air flow which again is good for damp logs. You can also use this structure to start a smaller fire in the middle while drying out bigger logs. This fire will crumble into a messier bed of coals that don’t produce particularly even heat for cooking.

The modified leanto is excellent if you need it to perform multiple functions. The side with more fuel will burn bright and hot and the side with less fuel will burn less hot but more evenly and controlled, this gives you different cooking options.

rinitachan

reblogging for writing purposes. the exact reason will come soon enough.

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modmad

kikis-inheritance asked:

Its been 6 hours thats later in the week... why is the earth Juicy?? 🌎💦🌍💦🌏

bunjywunjy answered:

GOOD QUESTION I’M GLAD YOU ASKED.

it’s true, compared to literally every other rocky planet and planetoid in our solar system, Earth is just extremely… liquidous.

image

(and I’m not just talking about about our extremely spicy liquid iron core, either)

stuff MOVES here, where it really has no business doing so if you compare Earth to the rest of the solar system on paper.

continents skitter their way across the surface in a billion-year-long dance, smashing together, breaking apart, smashing together again.

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on the other rocky planets, tectonic plates are locked tightly in place against their neighbors, or never even existed in the first place.

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so what gives? why is Earth letting gigantic sections of its outer crust bonk around unsupervised in a way that would get it shouted at in a busy supermarket?

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maybe invest in a couple of these, Earth

well, like just about every other weird goddam thing on this planet, it’s because of water!

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I’m sure you know about plate tectonics at this point, where the great continental plates float around on top of Earth’s mantle aimlessly and sometimes make your house fall down when they bonk into each other? well, turns out it’s a little more complicated than that!

see, they aren’t really “floating” on top of Earth’s mantle, because the mantle is a plastic solid, like a stiff putty. if enough pressure is applied to it it’ll deform, but it’s definitely nowhere NEAR liquid.

image

sorry to bust every single scifi planet-destruction scene ever, I guess?

so what the hell is going on with the tectonic plates? why are they so peppy and fresh? well, it’s because the entire ocean snuck down there when we weren’t looking, that’s why.

see, the places where tectonic plates meet often aren’t exactly geologically stable (as you probably know if you live anywhere near one) and they’re DEFINITELY not waterproof. which is funny, actually, because most of them are… on the seafloor…

image

so what’s been happening over the past, oh, 4 billion years or so, is that water has just been leaking down out of the oceans and into the mantle itself, creating a thick layer of mantle that’s been completely saturated with superheated water!

image

there is more water in this layer of rock than in all the surface oceans of the Earth combined.

so the tectonic plates aren’t really skidding around on top of the MANTLE, they’re hydroplaning on the water IN THE MANTLE. which explains why they hit each other so much, actually. hope Planetary Triple-A covers that.

image

yowch.

anyway, the moral of the story is that Planet Earth contains more than twice as much water as you thought it did, and it makes the continents go brrrrr.

image

surprise?

concepts
artandwritingreferences

Publishing for Fun and Profit

breannacarroll

So there was a list going around tumblr for a while that made it to my dash of literary journals that accept open submissions (and will pay!), but upon inspection about half of them were closed indefinitely, and I found quite a few other places that looked interesting through further research, so I wanted to post my own list. 

I tried to focus on things that paid professional grade (at least 6 cents per word), were friendly to speculative fiction, and specifically encouraged diversity and writing about marginalized groups.

(Please note that as of right now I have never submitted or been published with any of these, so if anyone has experience with them, good or bad, please feel free to message or reblog this with your experiences.)

Speculative Fiction

  • Strange Horizons — Speculative fiction (broadly defined) with an emphasis on diversity, unusual styles, and stories that address politics in nuanced ways. 8c per word. Up to 10,000 words, under 5,000 preferred. Responds within 40 days. LGBT+ positive.
  • Fantasy & Science Fiction Magazine — Sci-fi, fantasy, horror, etc. 7-12c per word. Up to 25,000 words. No response times listed.
  • Asimov’s Science Fiction — Primarily sci-fi but accepts fantasy and surreal fiction, but no high fantasy/sword and sorcery. Prefers writing that is character driven. 8-10c per word. 1,000-20,000 words. Responds in about five weeks.
  • Evil Girlfriend Media — Horror and urban fantasy centered on female empowerment and defying gender stereotypes. $100 flat payment. 4,000-7,000 words. No response times given. LGBT+ friendly.
  • Beneath Ceaseless Skies — Fantasy with a focus on secondary worlds and characters. 6c per word. Up to 10,000 words. Average response time 2-4 weeks.
  • Fantastic Stories — Speculative fiction with an emphasis on diversity and literary style. 15c per word. Up to 3,000 words. Responds within two weeks. LGBT+ positive.
  • Fiction Vortex — Serialized fantasy and speculative fiction. $300 for featured stories, $50 otherwise. 3,500 words or less. No response times given.
  • Shimmer — Speculative fiction with an emphasis on diversity, strong plots, vivid characters, and beautiful writing. 5c per word. 7,500 words or less (will consider longer words with query letter). Usually responds within two weeks. LGBT+ positive.
  • Clarkesworld Magazine — Sci-fi, fantasy, and other speculative fiction. 10c per word up to 5,000 words, 8c per word after. 1,000-16,000 words. Responds within days usually, gives a tracking number.
  • Apex Magazine — Speculative fiction of all kinds. 6c per word, +1c per word for podcast stories. Up to 7,500 words, all submissions over will be auto-rejected. Responds within 30 days.
  • Heliotrope Magazine — Speculative fiction of all kinds. 10c per word. Up to 5,000 words. Responds within 30 days.
  • Lightspeed Magazine — Speculative fiction of all kinds, with creativity and originality in terms of style and format encouraged. 8c per word. 1,500-10,000 words, under 5,000 preferred. LGBT+ positive. Submissions temporarily closed for their main magazine but is accepting for their People of Color Destroy Science Fiction special.

General Fiction

  • The Sun Magazine — General fiction, likes personal writing or writing of a cultural/political significance. $300-$1500 flat payment  and a one year subscription to the magazine for fiction (also accepts essays and poetry). No minimum or maximum lengths but over 7,000 words discouraged. Responds in 3-6 months. Physical submissions only.
  • One Story — Any and all varieties of fiction, “unique and interesting” stories encouraged. $500 payment plus 25 contributor copies. 3,000-8,000 words. Usually responds in 2-3 months.
  • Camera Obscura — General fiction. $1000 for featured story, $50 for “Bridge the Gap” award, no payment for other contributors. 250-8,000 words. Response time vary, running just over two months as of now.

Flash Fiction 

  • Daily Science Fiction — Speculative flash fiction (including sci-fi, fantasy, slipstream, etc.). 8c per word. Up to 1,500 words, but shorter stories given priority. Response times not listed.
  • Vestral Review — General flash fiction. 3-10c per word depending on length to a max of $25. Up to 500 words. Response within four months.
  • Flash Fiction Online — General flash fiction. $60 flat payment. 500-1,000 words. Response times not listed.

Novels/Novella

  • Riptide Publishing — Any LGBTQ manuscripts between 15,000 and 150,000 words. Currently especially interested in lesbian romances, trans stories, asexual/aromantic stories, romances with a happy ending, and genre fiction such as urban fantasy. Also has a YA branch.  LGBT+ positive.
  • Crimson Romance — Romance stories of all kinds, currently seeking LGBT+ stories with a focus on emotional connections and relationships, especially m/m romance. Novel (55,000-90,000 words) or novella (20,000-50,000 words) length.  LGBT+ positive.

Kindle Direct Publishing 

  • Kindle Direct Publishing — Allows you to set your own prices, create your own cover art, and make royalties off of each sell. Any and all genres are welcome and if you’re prolific and smart about how you’re publishing you can make pretty good money.
  • General Guide to Kindle Publishing — Gives a good rundown of the publishing process on Kindle.
  • 101 Guide to Kindle Erotica — Great guide with lots of resources about how to make money publishing erotica on Kindle.   

Publishing Comics/Graphic Novels

  • Here is a list of potential comic companies and what kind of open submissions they accept.  
  • Here is a list of literary agents who accept graphic novels. 
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sanshofox
stimman3000

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magnumpicactus

somebody tell me wtf this is

aaronbuzz

@magnumpicactus the sand is on top of really hot coal and is pretty much boiling. The dude is dragging the pot of coffee on it to boil it. Its a traditional turkish way to make turkish coffee and its really good.

mondengel

i love seeing the amazingly unique, traditional ways different cultures have of achieving the same thing.

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theliteraryarchitect

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